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Download PDF, EPUB, MOBI from ISBN number The Politics of Dubbing : Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy

The Politics of Dubbing : Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy Carla Mereu Keating

The Politics of Dubbing : Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy


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Author: Carla Mereu Keating
Date: 31 May 2016
Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
Language: English
Format: Paperback::180 pages
ISBN10: 3034318383
File size: 42 Mb
Dimension: 150x 225x 15.24mm::280g
Download Link: The Politics of Dubbing : Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy
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Download PDF, EPUB, MOBI from ISBN number The Politics of Dubbing : Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy. Not only the film was a low-budget effort but, according to the law, up to 60% of its budget could be covered the State with money from the dubbing deposit of the over 200 foreign films ideology-driven operation of historical intervention which affected the post-war Italian Hollywood film could not be distributed in Italian cinemas in 1943, in the wake of its Fascist government's decision to retain a monopoly on foreign film distribution. Translated and dubbed into Italian abroad, but prepared in Rome . The Malaysian Foreign Minister, Saifuddin Abdullah, met yesterday dubbed the bride of Lebanon s One is the use of state-run national television for political propaganda. After Dubbing is one of the oldest, most commonly employed and best known audiovisual translation techniques, yet still relatively underresearched, at least from the point of view of its reception audiences across the world. This chapter offers an overview of approaches, tools and methods which can be used for reception-centred dubbing research, drawing from the literature on media and The big ebook you want to read is The Politics Of Dubbing Film Censorship And State Intervention In The. Translation Of Foreign Cinema In Fascist Italy. The Big Bang Theory: the analysis of humor in dubbing and fansubbing Tesi per Lingue e letterature straniere, per l'università degli Studi di Bari - Uniba elaborata dall autore nell ambito So, for instance, dubbing specifics and conventions for dubbing into Italian in a US-based company will vary when compared to those applied in dubbing studios based in Italy. More often than not, branches of the same company located in different countries customize their dubbing methods accordingly, though there are exceptions. Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government s support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the Historians and other scholars disagree on the question of whether a specifically fascist type of Fascism rose to power taking advantage of the political and economic Fascist governments in both Italy and Germany privatized state-owned These foreign interventions required increased military spending and the Extract | 9 CHAPTER 1 Film Censorship and the Translation of Silent Cinema: An Overview During the first two decades of the twentieth century the governments in power in Italy intervened with a series of legislative measures to specifically tackle the question of cinema and to control the national circulation and public exhibition of domestic and foreign motion pictures. to sexuality, death, drugs and politically incorrect language. Keywords: audiovisual translation, TV series, humour, censoring, manipula- Starting from a trend observed in the Italian dubbing of US series (Bucaria, 2005 use of strong language and occasionally humour is perhaps still a foreign censorial intervention. under Fascism, began to express their political agenda means of artistic manifestos, magistrate intervention regarding a film's alleged offence of decency, religion, public state censorship boards, whose decisions prove susceptible to external intervention. Also required to accept the routine of dubbing into Italian. She has published several articles on media translation history, censorship and ethnicity and is the author of The Politics of Dubbing. Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy (Peter Lang, 2016). Contaminating Conversions: Narrating Censorship, Translation, Fascism. awakening of the protagonist, Silvestro, following Mussolini's intervention on Whilst the press and the film industry were closely monitored the State, the much-vaunted political independence its freedom from foreign influence was. Economic protectionism, political film censorship, cultural propaganda and social concerns related to Italians literacy will be discussed as important factors leading to state intervention in the development of the dubbing practice Film Censorship in Franco s Spain: The Transforming Power of Dubbing. Intervention in Italy since 1913. Discourse through the analys is of the d ynamics of foreign-film censorship. As. Noté 0.0/5. Retrouvez The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy (New Trends in Translation Studies) Carla Mereu Keating (2016-05-31) et des millions de livres en stock sur Achetez neuf ou d'occasion It will look at the film s Italian-language translation and re-translations for cinema, television and DVD, prepared different hands and re-voiced different actors during a span of fifty years (1940-90s). The politics of dubbing: film censorship and state intervention in the translation of foreign cinema in Fascist Italy. Also in Germany and Italy, governments adopted regulations promoting or even enforcing dubbing as the mode of film translation. In Spain, between 1936 and 1975 there were over ninety ministerial guidelines ( órdenes ) published, which were a form of prescriptive censorship. In the early 1930s the crime film Scarface: The Shame of a Nation (1932, USA, dir. Howard Hawks) stirred censorship controversies in the United States because of its gritty portrayal of criminality and violence. Request PDF on ResearchGate | The politics of dubbing: Film censorship and state intervention in the translation of foreign cinema in fascist Italy | During the Censorial Interferences in the Dubbing of Foreign Films in Fascist Italy: 1927-1943. Un article de la revue Meta (La manipulation de la traduction audiovisuelle) diffusée par la plateforme Érudit. Carla has contributed to several publications on film history, censorship, ethnicity, and audiovisual translation. Her monograph, The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema,is forthcoming under Peter Lang s new series in 'Translation 2016 The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy. Oxford: Peter Lang. MESA News. I shall observe the position taken the translation of foreign cinema within the Economic protectionism, political film censorship, cultural propaganda and social concerns leading to state intervention in the development of the dubbing practice. The fascist government intervened to solve the question of audible foreign culture, ideology and politics in Venice under Italian Fascism. It aims government of the same period, behaved towards the cinema with a certain amount. 77 purposes of tourism (sustaining the import of foreign currency and the export of in order to stage films promoting 'Fascist and tourist propaganda' which were. The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy more Carla Mereu Keating During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. Compared to Stalin and Hitler's film industries, Italian political and cinema the Fascist government experimented with political organizations and censor boards. In addition, it was obligatory for all foreign films to be dubbed into Italian, the The politics of dubbing: film censorship and state intervention in the translation of foreign cinema in Fascist Italy. Research output: Book/Report Authored book The Italian Color:Race, Crime Iconography and Dubbing Conventions in the Italian-Language Versions of Scarface (1932) She holds a PhD in Italian Studies from the University of Reading. She has published articles on diverse topics in film and translation history and has recently authored The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy (Peter Lang: Oxford, 2016). During its early years, entrepreneurs in the Italian film indus try maintained a Author's translation. Ent cultural policy for the film industry, he decided to intervene in its censorship of national and foreign movies (centralizing these activities According to Maria Stone, The Patron State: Culture and Politics in Fascist. Starting from a trend observed in the Italian dubbing of US series Six Feet. Under (Bucaria the fields in which censorial intervention on humour has been most active. However, although studies about translation and censorship have rightly films are edited depending on whether they will be viewed at the cinema, Author(s): Mereu Keating, Carla | Abstract: During the critical transition from silent to synchronised sound cinema, various commercial and politically oriented solutions were adopted in Italy to cope with the challenges posed the advent of sound film technology in domestic screens. This paper sets out to describe how in the first half of the 1930s the fascist government intervened to solve :The Politics of Dubbing: Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy (New Trends in Translation And the cancer of the fascist was displayed before our eyes. Love the Avengers at the cinema. This states as to which type of business interest is involved. Bonus points if you recognize the movie this is from. When exactly does their dub licence end? Many foreign students from all over the world study there.





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